Tag: history


  • By Mike Magers

    Antony August Sousa (1868-1918) – He went by the nickname “Tony” and was known as an athlete, composer, author, poet and newspaperman among his other talents. At the time of his death, he had been a government employee for 33 years. His athletic talents and interests included baseball and cricket and while in Washington was known to be a frequent contributor to newspaper sporting columns. At the time of his death, he was on assignment in Rocky Ford, Colorado in connection with the sugar beet industry and had been accompanied by his son Allen, perhaps due to his ill health. One of the articles concerning his life fondly recalled that he spoke with a Spanish accent and pronounced the word baseball as “bas’a-ball.” It also referred to Tony with these comments, “His mind was clean, his tongue pure. He loved music and good spaghetti, the sun on green grass, the ripple of the Potomac under the moon, the thud of the flying tackle, the crash of the Johnson ‘smoke ball’ in Ainsmith’s glove.” Another newspaper account mentioned the “Sousa Juvenile Comedy Company” having performed at an institution known as the Government Hospital for the Insane. The program included a “burietta” (a musical farce) entitled “Sunbeams and Snowflakes” composed by Tony Sousa and another individual. That work was performed for the entertainment of the staff and residents of the hospital. Tony’s cause of death was said to be the “white plague” which at the time was a term for tuberculosis. The article also mentioned that he had been sent to Colorado by the Agriculture Department in hopes that the climate would restore his health. Tony was survived by his wife, the former Candace Cohill, and their children.

    George W. Sousa (1860-1913) – George was a cornet player, percussionist and librarian with the United States Marine Corps Band for thirty years, having enlisted as an apprentice musician while he was still a teenager. Most of his life he had resided in Washington, D.C. but after about 1908, he had lived in Hampton, Virginia where he was engaged in the poultry business. While in the Marine Band, he played cornet and served as a percussionist for about twenty years. For about the last ten years of his tenure, he served as librarian. In his obituary, it was noted that he had set up his own system for indexing the music and that he was unusually familiar with all the selections in the library. He died at the age of about 52 and was survived by his wife, the former Cora Ann Spry, and their five children. No cause of death is noted.

    Louis Sousa (1872-1929) – Louis was not a musician, but instead, he worked as a machinist in the Navy Yard in Washington, D.C. for about thirty years. He was the youngest male sibling of John Philip Sousa and was survived by his wife, the former Estelle Henshaw Edelen and their children. No cause of death is noted.

    Their father, Joao “John Antonio” Sousa, was born in Andalucia, Spain in 1824. He and his wife, the former Marie Elizabeth Trinkhaus (of German descent), came to the United States in 1854. John Antonio joined the Marine Band that same year as a trombonist. served in the United States Marine Corps Band until his retirement in 1879 amounting to about twenty-five years. At the time of his death in 1892, the Marine Band was on tour, under the direction of his son John Philip Sousa who was principal conductor from 1880 to 1892.

    As noted above, John Antonio, the father, John Philip and George Sousa all served in the Marine Band. Their combined years of service amount to some 65 years, not counting the six years that John Philip Sousa was an apprentice. Accordingly, the Sousas are listed below as being one of the “legacy” families of the organization.

    https://www.marineband.marines.mil/About/Our-History/Marine-Band-Legacies/

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  • by Heritage Brass Band

    An overview of marching bands made up of African Americans from the 18th to the 20th century:

    As early as 1738, free mulatos, blacks, and Native Americans residing in Virginia were required to serve in the military. They were not however permitted to carry firearms. From these early days, the musical traditions of African American musical groups began to develop and has continued to do so. The link below is to a Folkstreams article on the history of these musical organizations from the early days of America to the 1960s. (The article below is excerpted from Lewis, William Dukes. Marching to the Beat of a Different Drum: Performance Traditions of Historically Black College and University Marching Bands. Thesis (M.A., Folklore) University of North Carolina at Chapel Hill, 2003. Used with permission from the author. Thesis is available at UNC-Chapel Hill Libraries)

    To read the complete article, please follow the link below…

    http://www.folkstreams.net/film-context.php?id=249

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  • by Heritage Brass Band

    The Kennedy Center explores the topic of band music during the Civil War.

    Band of the 114th Pennsylvania Volunteer Infantry, in front of Petersburg, Va., August, 1864.

    (Image credit: http://www.kennedy-center.org)

    See the full article below:

    https://www.kennedy-center.org/education/resources-for-educators/classroom-resources/media-and-interactives/media/music/music-of-the-civil-war/


  • By Mike Magers

    “Boy Soprano Cared More for Cave Than Warbling for Sousa”

    This was a headline in the Fort Worth Star Telegram, December 24, 1925. The great band leader had come to the Panhandle to do a concert. Thirteen year old “Balie” (actually spelled Bailey) Warren had been invited to sing for the Sousa Band over the initial objections of John Phillip Sousa, who had said that the band carried its own soloist. Sousa relented and young Bailey was asked to sing.

    The article related that the boy was well known in the area as a soloist and came to sing with the band, but that he had been anxious to get back to a cave that he and his pals were digging in his back yard. Young Bailey was typically fearless before a crowd and did well that day, but at the end of the concert, he took off for home to return to his friends and the cave they were digging.

    “Good night,” he exclaimed, disgustedly: “that’s the way it always goes when I am trying to do something. The kids have gone home, and we can’t finish the cave until tomorrow,” the article concluded, quoting Bailey.

    The 1930 Census showed that the 17 year old Bailey was living with his parents and working at a radio station in Amarillo. It’s thought that the family then moved to California. In the 1940 Census, Bailey was still living in California in that report, he listed his occupation as singer and entertainer. Bailey apparently went on to have a career in the radio-television business.


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  • By Heritage Brass Band

    An interesting look back at the brass band movement immediately prior to the Civil War in America.

    Library of Congress – Band Music from the Civil War Era – Brass Bands in the 1850s

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